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Showing posts from October, 2008

The Primary Series : Standing Asanas 5 & 6

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V UTTHITA PARSVAKONASANA • EXTENDED SIDE ANGLE POSE Utthita=extended Parsva=side Kona=angle 1. Inhale, jump to right, approximately 4 ft apart, arms out to the sides, left heel turned in, right foot parallel to edge of mat. 2. Exhale, bend right knee over right ankle, extend right arm out as far as possible before placing it on floor outside of the right foot, either palm or finger tips, keep the pelvis tucked, open chest toward ceiling, press right knee into right arm and push on floor with back foot, feeling of being drawn and quartered. Drishti: palm of left hand. Hold for 5-8 breaths. 3. Inhale, come up. 4. Exhale down to other side, repeat 1-3. Modified posture: right elbow on right knee instead of hand to floor, back knee on the floor if necessary. VI PARIVRITTA PARSVAKONASANA • REVOLVING SIDE ANGLE POSE Parivrita=revolved Parsva=side Kona=angle 1. Exhale, turn to right bending right knee directly over right ankle. Bring left elbow on the outsi

The Primary Series : Standing Asanas 3 & 4

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III UTTHITA TRIKONASANA • TRIANGLE POSTURE Utthita=extended Tri=three Kona=angle 1. Inhale, jump to right, right foot parallel to edge of mat, left heel turned inward, heels 3 ft apart. 2. Exhale, reach out over foot and bend to right, hold big toe of right foot with first two fingers of right hand and pull up on it, creating counter tension and oppositional stretch. Turn head to look up toward left thumb, opening chest toward ceiling. Feel the rotation of the hips as the right hip moves under and the left hip rotates open. Drishti: thumb of left hand. Hold for 5-8 breaths. 3. Inhale, come up slowly. 4. Exhale to other side, repeat 1-3. 5. Inhale, come up, keeping arms out to sides. Modified posture: right hand to ankle or shin or up as high as necessary to prevent straining back. If neck is strained, look to toes and then back up to thumb. IV PARIVRTTA TRIKONASANA • REVOLVING TRIANGLE Parivrtta=revolved Tri=three Kona=angle 1. Exhale, revolve around pullin

The Primary Series : Standing Asanas

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I PADANGUSTHASANA • BIG TOE POSTURE Pada=foot or leg Padangustha=big toe Begin in Samasthiti. Jump feet hip width apart (6-8 inches), feet parallel. 1. Inhale, hands on hips, lift chest, look up and back. 2. Exhale, bend forward, hold onto big toes with middle and index fingers. 3. Inhale, head up, straighten back like a ski slope, arms straight, look up between eyebrows. 4. Exhale, move crown of head towards floor, elbows out to sides. Drishti: nose. Hold posture for 5-8 breaths. Modified posture: bend knees. 5. Inhale, head up, look between eyebrows (only your head, don’t come all the way up yet). II PADAHASTASANA • HAND UNDER FOOT POSTURE Pada=foot Hasta=hand 1. Exhale, slide hands under feet. 2. Inhale, head up, look up and extend spine, place the hands as far under the feet as possible, toes come to the wrists, the back of the wrists should be on the floor and weight off the heels. 3. Exhale, fold at waist, head towards floor. Drishti

The primary series

There are 6 series or sequences of postures in the ashtanga yoga system. This manual focuses on the primary, or first series, which is known as yoga chikitsa (yoga therapy). It is designed to heal, detoxify, and align the body and mind, particularly the spine. The sequencing of postures is a science, set up so that each asana provides a necessary foundation for what follows. We always begin with the sun salutations and standing postures to generate heat and connect with the breath. The first half of the primary series (which begins after the standing postures) is mostly forward bends, working the hamstrings, hips, and back. The middle section focuses on flexibility and the third part combines more flexibility with strength postures. The finishing postures are the same regardless of what series you are practicing. They are restorative postures designed for cooling down, balancing out the body, and integrating the effects of the practice. This is the vinyasa system, a breathing/movin

Surya Namaskara

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Practice Surya namaskara B Begin in Samasthiti, equal standing 1. Inhale, bend knees, lift arms, palms together over head, gaze at thumbs. 2. Exhale, straighten legs to a forward bend, Uttanasana, gaze at nose. 3. Inhale, head up, lengthen spine, gaze at third eye. 4. Exhale, jump back to Chaturanga Dandasana. 5. Inhale, lift chest, head back to Urdhva Mukha Svanasana, upward facing dog, gaze at sky. 6. Exhale, lift hips to downward facing dog, Adho Mukha Svanasana, gaze toward navel. 7. Inhale, right foot forward, left heel turned inward. Virabhadrasana, lift arms, palms together. Right knee bent, left leg straight with back foot pressed into floor. Gaze at thumbs. 8. Exhale, back to Chaturanga Dandasana. 9. Inhale, upward facing dog, Urdhva Mukha Svanasana 10. Exhale back to downward dog. 11. Inhale, left foot forward, right foot turned in at an angle, Virabhadrasana; lift arms above head, gaze to thumbs, left knee bent. 12. Exhale back to Chaturanga.

Sun Salutation : The Dawning of a Ritual

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Ritual Connects Us To The Absolute By tradition, at dawn, the yogis practiced greeting the sun with a salutation. A yoga session is incomplete without it. An ideal exercise to get you moving, Surynamaskara welcomes the new day, preparing for the asanas, heating up the body, toning up the muscles, quickening and intensifying the respiration and cardiac rhythm. The sun salutation is the foundation of your practice, it establishes the connection of movement and breath, uniting body, mind, and spirit. Not only is the sun salutation a preparation for the rest of your yoga practice, but it is a complete exercise within itself. Suryanamaskara tones up the digestive system by the alternate stretching and compression of the abdominal region. It massages the inner organs, stomach, liver, and spleen. It activates digestion and aids in reducing constipation. Synchronizing breath with movement, the lungs are thoroughly ventilated and the blood oxygenated, creating a detoxifying effect.

Pranayama : Your Practice

Pranayama Sequence Once you get the feel for quality of breath and the bandhas you can practice this pranayama sequence. Begin with 3 ujjayi breaths (3 full breaths with sound) I. Baya kumbhaka - exhale retention Take a deep breath in and then exhale fully. Hold the exhale. Engage mula bandha, uddiyana bandha and jalandara bandha. Begin with a 5 second hold and build from there. Repeat 3 times 3 ujjayi breaths II. Antara kumbhaka - inhale retention Take a full inhalation and hold. Engage the bandhas. Begin with 5 second hold. Repeat 3 times. 3 ujjayi breaths III. Antara kumbhaka and baya kumbhaka Inhale fully and hold 5 seconds. Exhale and hold 5 seconds. Engage all three bandhas. Repeat three times. As your abiliity to control your breathe improves, increase the seconds of the holds. Lay down and rest at the end to integrate the pranayama practice. Feel the effects on your body and mind. your practice Integration The Challenge The true challen

Pranayama : The Serpent Power

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Pranayama : The Serpent Power Live As You Breathe; Take In and Let Go Swami Rama used to say a person has one thought on inhalation and another on exhalation, so that the rate of breath determines the number of thoughts a person has. Greater number of thoughts (a faster breathing rate) decreases concentration because there are so many thoughts going on. The breath, body and mind are so closely linked, a change in one brings about a change in the other two. By developing control of your breath in certain ways, you can bring beneficial changes to your body and mind. Pranayama acts as a key, it opens the mind, freeing the nervous system of its ordinary patterns and habits. By breathing from the upper third of the respiratory system, pranayama can move blocked pathways to the brain and the nervous system, creating new patterns, roadways to the superhighway of the superconscious. Pranayama revitalizes the body, steadies the emotions, and creates great clarity of mind.

The invocation

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Acknowledge The Creator You say a prayer. Connecting with the world of sound, you focus your attention inward. Om… (All; the universal vibration) I bow to the lotus (symbol of unfolding enlightenment) feet of the teachers Who awaken in me the pure happiness of universal being. I take refuge in the jungle physician, Who dispels the delusions of conditioned existence to reveal peace. I prostate my ego self before the wisdom of Patanjali Who is depicted as crowned by a thousand white radiant serpents (the symbol of kundalini, universal energy) And as holding in his hands a conch shell (the symbol of divine sound, AUM, and the planet’s breath in the ocean waves) As holding a discus of light (the symbol of infinite time, and the one sun which shines on all with equanimity) And as holding the sword of discrimination between illusions (of the selective attention of ego conditioned particularities) and universal t ruth. Om…

Create a Sacred Space

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Choose A Spot That Draws You Inward This is a time of focus. You acknowledge the space around you on which you are about to work. It should be quiet, with no interruptions. You pick a place for the feet and plant them, one by one, deliberately connecting with the earth beneath. Participation at this level is important, if the link between your body and the ground is formed there is a centered calmness. Making a time and place for your yoga is essential for maintaining a regular practice. Choose a place, which is warm and where there is enough room for you to move freely. It is helpful to practice at the same time each day, the optimal times being sunrise and sunset. Choose a spot that draws you inward. Regular practice is the key to yoga. It is through practice that these seemingly impossible postures are mastered with comfort and ease within a reasonable time period. It is through practice that yoga becomes integrated in your life. Practice Decide how much time you